“The intent was for the design to be able to minimize light trespass (from inside to outside and outside to inside) without compromising the safety of a student campus,” Nirali Prajapati ‘23 (MPSL) says. “This translated into Dark Sky-friendly lighting, flexibility for personalization in private units, and sustainability and durability becoming the basis for the lighting design approach.”
Read MoreJosefina Ortuzar envisioned her lighting thesis set in a luxury hotel on Lake Louise, located in Banff National Park, Canada. She chose this wild location because it’s one of the places in the world most free of light pollution, a getaway known for its clear night skies full of bright stars and views of the Northern Lights.
Read MoreJon Retsky ‘20 (MPSL) started his career in the theater, so when it came time to select the subject of his thesis for the MPSL, he jumped at the opportunity to create an architectural lighting design for the Theater School at DePaul University in Chicago.
Read MoreThe way NYSID teaches color for interiors is both traditional and innovative. Fine artist and NYSID instructor William Engel ’02 (AAS), and retired NYSID professor Ethel Rompilla ’84 (BFA), formative influences on how color is taught at NYSID, discuss what goes into having an educated “eye” for color. Alumna Andrea LaConte-Magno ’02 (AAS), director of color marketing and development at Benjamin Moore, sheds light on her exciting career in color.
Read MoreLong before the COVID-19 pandemic forced NYSID to temporarily close its campus last March and move classes online, the College was developing a hybrid flexible model with online, in-person, and experiential components. The pandemic accelerated this process, forcing NYSID to undergo years of digital transformation in mere months.
Read MoreKorapin Srisom ’20 (MPSL) endeavored to create a lighting design for an existing landmark building, the Brooklyn Historical Society, that reflected the way the sky and skyline have changed between the 1800s and today.
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